THE MAN
By Irving Wallace
Smashwords Edition published at Smashwords by Crossroad Press
The Man Copyright 2011 Amy Wallace & David Wallechinsky
Introduction Copyright 2011 James Earl Jones
Afterword Copyright 2011 David Wallechinsky
Cover Design by David Dodd / Copy-editing by Paul Wargelin
American Flag image courtesy of: http://hhjr.deviantart.com/
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CONTENTS OF THE DIGITAL EDITION
Introduction by James Earl Jones
Afterword by David Wallechinsky
ABOUT THE AUTHOR
Irving Wallace was born in Chicago, Illinois, raised in Kenosha, Wisconsin, and educated in Berkeley, California. After writing political articles, biographical profiles, human-interest stories, and fiction for the leading national magazines, he turned his attention to the creation of books. Wallace's 16 novels and 17 non-fiction works have sold tens of millions of copies around the world. His first major success was with The Chapman Report, in 1960, which was made into a film in 1962. His bestselling 1962 Cold War novel The Prize was made into a film in 1963, starring Paul Newman. The Man was made into a film in 1972 starring James Earl Jones. After an amazing career spanning decades, Irving Wallaced died on June 29, 1990. He is survived by his children, Amy Wallace and David Wallechinsky, both best-selling authors in their own right.
DEDICATED TO
Sylvia, David, and Amy
With Love
INTRODUCTION
Irving Wallace's The Man is a prophetic novel, although not all the prophecies in his absorbing work of fiction have come true. The novel dramatizes the extraordinary events transpiring after the sudden death of a fictitious American president. Ironically Wallace's book, published in 1964, was completed in 1963 just nine weeks before the death of President John F. Kennedy. The Man also depicts a president's impeachment trial, 35 years before the impeachment of President William Jefferson Clinton.
The new president who stands center stage in Wallace's drama is Douglass Dilman, a reserved former college professor with no "fire in his belly" for presidential politics. Tragedy thrusts him into the nation's highest office, and fate inaugurates him as the first black President of the United States of America.
In 1972, it was my privilege to play Douglass Dilman in what was initially intended to be an ABC Television Movie of the Week, based on Irving Wallace's best selling novel. Whether he was writing fiction or non-fiction, Wallace had a passion for research. In 1963, as back-ground for The Man, he accepted an invitation from President John F. Kennedy to spend several days observing life in the White House, from the Oval Office to the Cabinet Room to the private family quarters. As a result, his novel is grounded in authentic details, and even the Congressional newspaper, The Roll Call, praised the book for its understanding of government in all its "importance, its pettiness, its complexities, vagaries, shortcomings and its greatness."
As I prepared to play The Man, I noted key elements in the novel that might be kept for the film, elements that might not be kept, and even elements that were not in the story at all, but might be added. This would be my first major film role since The Great White Hope in 1970. It gave me the chance to play a black man who was not a stereotype of a militant.
In those volatile days of the seventies, there was a general public insistence that a black man be militant. This seemed to be expected of black men by other black men, by white men, by liberals, and even by conservatives. There was the attitude, often liberal, that said, "If I were a black man, I would sure as hell be screaming or angry." At the other end of the spectrum, there were those people, often conservative, who seemed to prefer stereotypes, saying, "Give me a black man who is yelling and screaming and I'll know what to do with him."
Douglass Dilman, to the contrary, is a quiet, rational man trying his best to do a difficult job in daunting circumstances. Thrown into the center of a political earthquake, he is an apolitical creature, and something of a Milquetoast. He is an intellectual, and a good man with a commitment to principles but no appetite for political battles. His adversaries in the administration try to isolate Dilman, shutting him off in a corner so that they can run the government and leave him out of the loop.
I am not an intellectual and I don't think of myself as a Milquetoast, but Dilman is not unlike me. I am not saying that I was ideal casting, but a truly remarkable cast and crew were assembled around me to try to bring Wallace's novel to life on the television screen—Burgess Meredith, Martin Balsam, Barbara Rush, Anne Seymour, William Windom, and Lew Ayres, among others. Comedian Jack Benny opened the film in a cameo role.
Rod Serling, who enjoyed a huge success with The Twilight Zone, wrote the television screenplay, and Joe Sargent was our able, dynamic director. The script, the setting, the shooting schedule and the budget were all geared to television, and a television movie in those days, far more than today, was streamlined for the small screen—very low budget, modest salaries, and a quick production pace.
Certain creative decisions were made to compress Wallace's complex novel for the small screen, to take The Man and his friends and foes into American living rooms. As is often the case when a novel is the basis for a screenplay, liberties were taken with exterior details in the original story. Serling, exercising dramatic license, gave Dilman one child instead of two; emphasized racial conflict in South Africa rather than in the United States; and set up the climax of the drama at a political convention rather than an impeachment trial.
This was a time when television shows had to be very careful about the treatment of racial issues and themes. Otherwise some Southern states, including my native state of Mississippi, would refuse to air them. For the television script, the decision was made to eliminate the sensational issue of the impeachment of the first black President of the United States. His enemies had fought dirty and tried hard to get rid of him. In the novel, Dilman is charged with violating his oath of office, committing treason against the United States, obstructing justice, and demonstrating "loose morals, intoxication, partisanship, and maladministration." He is even accused of raping his social secretary. At that time, I did not protest when this material was cut from the script.
In the film, a South African official is assassinated by a young African American, and a huge public outcry ensues when Dilman considers extraditing the young man. I went to Rod Serling and said, "I find it a weakening factor in our drama that President Dilman does not meet one-on-one, face-to-face with representatives of the South African apartheid regime." Irving Wallace seriously explored issues of African unity in the novel, and Dilman's meetings with President "Kwame Amboko" of the independent African democracy of "Baraza" form a very important facet of the story. When I urged Rod to consider this encounter, he said, "No, Jimmy, that would be another story."
He didn't have the space or the time for that story for television, and that was a disappointment for me. From that point on, even though I enjoyed the story, the character I was playing, and the actors I was working with, I did not feel that we were achieving the full dramatic potential of The Man. I contended that if we were going to do justice to the story about the first black President of the United States, as Wallace did in his novel, we had to produce a far more powerful drama.
Additional decisions were made, however, to reflect the political climate of the early seventies. We added an allusion to the 1968 assassination of Dr. Martin Luther King. In the novel, Dilman's daughter is passing for white, and his son is involved in a militant group. In the film, the new President has one child, a black militant daughter, and for that role, the producers hired a very dark, beautiful young actress who symbolized all the glamour of an American girl not passing for white. Halfway through the shooting, however, it was decided that she was not politically indicative enough. The producers replaced the first actress with Janet MacLachlan, a very accomplished stage actress, who resembled activist Angela Davis, Afro hair style and all—solidly indicative of the prototype they wanted in the movie.
For all the changes in the story, I think we stayed true to Wallace's vision of Douglass Dilman, and, therefore, to the crux of the novel. Dilman is a man who has no ambition to be President, yet when fate brings him into the presidency, he does the best he can, despite everything. His intention is to be President of all the people. He has no axes to grind, even racial axes. He simply cares for the national good. Wallace seems to be saying that the fire in the belly is not all that drives an important statesman. Rationality, integrity, and a balanced psyche are more important.
I met Irving Wallace at a press event to promote the film, but I did not hear him say how he felt about the translation of his novel into the entirely different medium of television film. And The Man was to undergo one more metamorphosis before our project was done.
I think we had just finished production for our television movie of the week when Robert Redford's The Candidate appeared, to much success. It seems the people in charge of The Man decided that the time was right for political films. All of a sudden, they opted to release our movie in cinema houses as a feature film.
Those of us in the cast and the crew questioned that decision vigorously, and our director led our protest. Wallace's novel had been pared down to fit television, and even for TV, I thought, The Man deserved a more complex script. I did not see how our film could work on the wider, deeper screen and bigger stage of the movie theater. I think our film came up short, only skimming the surface of Irving Wallace's richly detailed novel. Still, television always had more daring to tackle controversial subjects, in part because television films, with their time constraints, could only dig skin deep anyway.
I enjoyed playing Douglass Dilman immensely, even though I knew that the film, unlike the novel, lacked bite and fire. It was not until after I saw the show on television many years later that I realized that despite my complaints, and despite Rod Serling's really quick work, our film version of The Man was actually quite eloquent for its time, as well as for the present, and it certainly did work better on the TV screen.
Soon after the film opened, I was in a play, and we took questions from the audience after the performance. One young man questioned me about The Man.
"Why did you cry the first night you became President?" he wanted to know. "The name of the story is The Man, and if you are The Man, you don't cry, you kick ass."
I explained that I wanted to leave the impression that, at some point, this man who was suddenly cast in the role of President of the United States had to realize what an awesome journey lay before him, and that I expressed this simply by having him look at himself in the mirror, alone in a room, and say to himself, "Mr. President." Then I let myself cry.
The young man had a problem with those tears, but I believe that Wallace was suggesting that all leaders serve better, and all the people are better served, when they acknowledge the awesome responsibility of the office.
The spelling of Douglass Dilman's first name evokes the name of Frederick Douglass, whose words serve as the epigraph for Irving Wallace's novel:
"In a composite Nation like ours, made up of almost every variety of the human family, there should be, as before the Law, no rich, no poor, no high, no low, no black, no white, but one country, one citizenship, equal rights and a common destiny for all."
That, in essence, is the key to The Man.
I predict that this new edition of the novel will find an appreciative contemporary audience. And that comes down, in the end, to the enduring power of Irving Wallace's story, his characters and his themes. The Man speaks eloquently to the present and to the future, just as it did to the past.
James Earl Jones
June 21, 1999
One of the author's prized possessions is an original autographed manuscript, written firmly with pen on cheap ruled paper, signed by a former Negro slave who became a great reformer, lecturer, writer, adviser to President Abraham Lincoln, United States Minister to Haiti, and candidate for Vice-President of the United States on the Equal Rights Party ticket in 1872. The manuscript reads as follows:
In a composite Nation like ours, made up of almost every variety of the human family, there should be, as before the Law, no rich, no poor, no high, no low, no black, no white, but one country, one citizenship, equal rights and a common destiny for all.
A Government that cannot or does not protect the humblest citizen in his right to life, Liberty and the pursuit of happiness, should be reformed or overthrown, without delay.
FREDERICK DOUGLASS
Washington D.C. Oct. 20. 1883
I
Standing there in the cold office, at this ungodly hour, no longer night, not yet day, she felt apprehensive and nervous. She wondered why, but instantly her memory had traced the source of worry, and she knew its answer was right.
From her earliest childhood on the modern farm outside Milwaukee, Edna Foster remembered, she had been raised—by erect parents of German origin—to believe in the virtues of constancy, steadiness, punctuality. Whenever she had given voice to a girlish dream of irregular adventure, her solemn and mustached father, an omnivorous reader of almanacs and books of useful quotations, would repeat verbatim the words of Someone (rarely named, Edna suspected, because her father hoped that the terse homily would seem his own). "Gott im Himmel," her father would say to the ceiling, addressing his approving Lutheran God, "adventures, romantic adventures she wants." Then, glowering down at Edna, he would recite the wisdom of Someone: "Adventures are an indication of inefficiency. Good explorers don't have them."
Her father, she guessed long after, had the approval of his God because he had so carefully anticipated and thwarted the temptations of the Lutheran devil. Her father's devil seduced the weak and erring not with the banal sins of immorality and unrighteousness, but with the Twentieth Century sins of irregularity and confusion. As a consequence of this paternal foresight, Edna Foster's formative years had been boundaried by tangible disciplines: the clock at the bedside, the budget in the bureau drawer, the schedule on the kitchen wall.
These rigid lessons had stood Edna in good stead during her attendance at the business college in Chicago, during her first secretarial jobs in Detroit and New York City, and especially when she had come to work for T. C.—yes, he had been T. C., "The Chief," even as a senator—in the Old Senate Office Building in Washington, D.C. In an uncharacteristically long and almost indecipherable letter, her father had hailed her prestigious government job as the inevitable triumph of her upbringing.
It was only after so much had happened to her employer, after T. C.'s nomination, and the exacting and exciting campaign, and the heady election night, it was after all that, when she followed T. C. into the White House with her shorthand pads and special Kleenex box that Edna had come to realize that the parental standards she lived by were causing her difficulty. T. C. found her indispensable, she knew, because of her efficiency. What he did not know was that his secretary's efficiency depended upon her opportunity to be methodical. Yet the new job, from the start, seemed to have been equipped by the old Lutheran devil. No inkpot could drive that devil off. The office of the President's personal secretary was possessed of furnishings that mocked regularity: clocks had thirteen hours, calendars had thirty-two-day months, light switches had no "off" markings, or so it sometimes seemed to Edna.
As personal secretary to the President of the United States, Edna Foster possessed great pride in her position—she had recently learned to regard it as a position, not a job—and she had believed George Murdock, and giggled with delight, when he had told her over their second martinis in Duke Zeibert's bar, "Edna, if the President's wife is the nation's First Lady, then you are the nation's First Secretary." It was one of the things that she liked about George Murdock, his way of putting ordinary things so cleverly, which of course came from his newspaper reporter training. But then the job—no, position, position, as George kept reminding her—had its burdens, as she sometimes explained to George, and the worst burden of all, the most disconcerting for one of her background, she could never disclose to him, for then he might think her inflexible and dull, and therefore unattractive.
The worst burden, she could tell herself alone, was emergency.
It had been so on the farm in Wisconsin. The tread of the Western Union boy's footsteps as he came up the walk, the tinny faraway voice of the long-distance operator, had always meant emergency, and emergency was the enemy of order, peace, security. This enemy, and only this one, had always broken her father's composure, reduced his authority, and its threat had frightened her then and it frightened her still. And now, of all people on earth, it was Edna who had the one job — position—where emergency was an expected weekly visitor, although for her always an unexpected visitor, leaving her as damp and upset as she might be left by a skipped heartbeat.
Last night late, after midnight, there had come the telephone call from Governor Wayne Talley, the President's closest aide, and the word he had used was emergency.
"Hello, Edna, did I wake you up?"
"No—no, I was just reading." Then she had realized the hour. "Is there anything wrong?"
"Nothing special. The usual. Look, Edna, are you well enough to come in tomorrow? How's your cold?"
Automatically, she had coughed. "I suppose I'll live. Yes, of course I'll be in."
"I'd like you to make it early, real early. T. C.'s orders.”
“You name it," she had said.
"Around six A.M. I know that's rough, but it's rough all over. The Russians are giving us a bad time. T. C. will be at the table early with Kasatkin. When they break, it should be about noon or so in Frankfurt, and that'll make it seven in the morning here, daylight time. It's going to be an open conference call from Germany. We're piping it into the Cabinet Room, so you get set up for seven or eight people. And you'd better hang around in case he has something personal to dictate. Okay?"
"I'll be there, Governor Talley."
"Sorry to do this to you, Edna, but it's an emergency."
There it was. Emergency. And here was she. Disconcerted.
The chauffeured limousine had been waiting before her Victorian-style apartment on Southeast E Street, just off New Jersey Avenue, when she had emerged at five forty-five. By ten minutes after six, she had crossed the empty Reading Room in the press quarters of the West Wing of the White House, and quickly gone to her cubicle between the Cabinet Room and the President's Oval Office.
After snapping on the overhead lights, and hanging her coat beside the bookcase, she had telephoned downstairs to ask someone in the Navy Mess to bring up some hot, hot coffee and a slice of toast. Now, shivering as she waited, resenting the early hour and the loss of two much-needed hours of sleep, resenting even more the nameless emergency that shattered her pattern of work and peace of mind, she began to sneeze. Hastily she sought the package of Kleenex in her leather purse, yanked one free in time to cough into it, and then wadded it to pat her painfully reddened nose.
Trying to ignore the ache between her protruding shoulder blades, determined to bring herself up to the day's beginning, she moved woodenly toward the small wall mirror next to the beige file cabinet, with its ugly security bar still locked in place down the center. With antagonism she stared into the mirror, blinking miserably at her bird's nest of brown hair, all stringy, at the faint crease in her forehead, at her swollen watery brown eyes and the slight bulges below (bags filled by overtime hours), at the shiny long straight nose, and then at the quivering dry lips.
She went back to her desk for her comb and compact. Seated before the gray electric typewriter, holding the compact's mirror above her, she toiled to achieve a semblance of efficient neatness. She had a plain face, she knew, but at its best, all well and rested, it was at least passable. George Murdock said that it was more, and she wanted to believe him, but when so many people had told you that your face had character, you knew for certain you did not have good looks. Certainly it was a face that could not afford tension or sleeplessness or the common cold.
She wondered whom or what to blame for this morning's wreckage. She could not blame George. Dutifully, it having been a week night and with her constant sniffling, he had brought her home early from their dinner. She could not blame herself for staying up until Talley's call after midnight, trying to read but really thinking of the miracle of her eight months with George and speculating about the months to come. After all, that was important, this thinking and daydreaming about George. It was the first time in her entire thirty years that she had had the chance to indulge herself so, that is, indulge herself seriously, that is, in secret hopes for the future.
For six years T. C. and the job for him had been enough to fill her mind. Now there was not only the President, but another, two in her life of equal importance—how it would please George to know his august standing!—and this was a pleasure worthy of her budgeted thinking time. Nor could she blame her ravaged morning face on T. C. for bringing her in here at six o'clock instead of eight. Banish that thought, she thought; veto it, it's unconstitutional. No, not T. C., he was guiltless, a dedicated, wonderful, great man, so far away, arguing and fighting with those Communist leaders about Berlin and about Africa and about the planets.
Then she realized where to put the blame, and since it was on one still so fresh in his grave, she was sorry and ashamed. She could date her teary, tired, streaky face back to the Vice-President's funeral ten days ago. It had rained, and they had stood there, the high and the mighty and herself, too, soaked to the bones, staring at Richard Porter's wet oak casket, listening to the minister's highpitched supplication, Unto Almighty God we commend the soul of our brother departed, and we commit his body to the earth; earth to earth, ashes to ashes, dust to dust. Yet, she had felt certain, all the mourners had not been listening attentively, for most seemed turned inward with self-concern induced by the shock of the suddenness of the Vice-President's massive coronary, his first, his last, and the mourners seemed to be mentally determining to drink less, smoke less, eat less, work less, and have those medical checkups more often. Even the President, the President himself, young, middle-aged and strong as he was, a dray horse for work, a tireless robot on the golf fairways, had gone to Walter Reed Hospital two days after the funeral, the day before leaving for Frankfurt am Main, for a thorough physical examination.
The unreality of the Episcopalian funeral lingered in Edna's mind. She had felt apart from the ceremony at the time, as she was this moment. The Vice-President's death had not upset her deeply, nor, as far as she had observed, had it emotionally moved any of the official family either, except by its suddenness and its threat to all mortality. The reason for this, she decided, was Porter's relative unimportance. His passing left no gap, rendered the nation no weaker. He had been a good bluff man, in an affable salesman sort of way, full of clichés and politics and gallons of bourbon and Throttlebottom stances the cartoonists so enjoyed. He had been a professional politician and natural Vice-Presidential candidate brought into the campaign in order to lure the uncertain Far West with him. He had served his purpose, and in death T. C. was his legacy. Because of Porter, T. C. was Chief Executive by an overwhelming mandate from the people instead of by a close plurality. Poor Richard Porter had played his role, served the Party and the electorate, and without him life would go on unaltered. It was the seventeenth time in history the government would be without a Vice-President, and no longer unusual. It was T. C. who mattered, to Edna and to the country.
Closing her compact, Edna fully absolved the late Vice-President of responsibility for her head cold and wretched face, and now, her face repaired, her mind clearer, she smelled the steaming coffee on the desk behind her. Somebody from the Navy Mess had noiselessly come and gone, and because of her self-absorption, she did not know who it had been and whom to thank. She sipped the coffee, recoiled, blew on it to cool it, and finally, breaking the slice of toast, munching it, she was able to drink down the contents of the cup.
At last, feeling better, forgiving the day for its earliness, forgiving everyone for everything, she came to her feet. Her platinum wristwatch, a generous gift from the First Lady, showed the time to be twenty-six minutes after six o'clock. Right now, Edna guessed, T. C. and his staff were leaving the Kaisersaal, the splendid dining room of emperors of the Holy Roman Empire located in the Roemer, Frankfurt's five-gabled city hall. The European press, and recently the American papers, had gleefully taken to calling the meeting between the President of the United States and the Premier of Soviet Russia the Roemer Conference, reminding readers that Frankfurt's city hall had been the site, during the Middle Ages, where international merchants gathered to trade.
Well, Edna thought, T. C. has done his trading for the morning. Now, driving the several blocks to the Alte Mainzer Palace, his headquarters in Frankfurt, he is probably considering what problems of the trading he must discuss this afternoon (over there) or morning (over here) with select Cabinet members and Congressional leaders. Edna had seen photographs of the President's ornate Gothic ground-floor bedroom in the ancient Palace—the Bonn government had suggested the President use the ancient Palace for his living quarters instead of the United States Consulate across the Main River, because it was roomier, more picturesque, and nearer the Roemer—and not seeing this fourteenth-century Palace was what Edna regretted most about missing the trip.
Ordinarily, Edna traveled with the President. She had made four trips with him abroad—a wonderland for a farm girl from Wisconsin—but this was one of the two trips that she had missed, because of the darn head cold. Frankfurt was a city she had never seen, and even though Tim Flannery, the President's press secretary, assured her that she had missed nothing, that postwar Frankfurt was a dull, Swiss-type industrial metropolis featuring nothing more exciting than the I. G. Farben Building and the Hesse State Radio Building, both modern monstrosities, Edna knew differently. She knew that the Allied bombers that had leveled Frankfurt's medieval Old City in 1944 had, by some miracle, left almost intact the two dusty near-crumbling architectural wonders of the fourteenth century, the Frankfurt cathedral [David—should cathedral be capitalized?] and the three-story Alte Mainzer Palace that housed the Presidential party. Edna knew that she traveled the way she tried to work, with efficiency, and she was not ashamed that she collected palaces, castles, and museums, with which to educate her children someday. The possibility of children, for one not even married and nearing spinsterhood, brought Edna back to reality, and once more brought her mind to George Murdock. She was sorry to lose the Alte Mainzer Palace for her collection, but there was compensation in not having to be apart from George the entire week.
She realized with a start that she had been standing at the desk, daydreaming away five more precious minutes, and 3,000 miles away in Frankfurt the President was nearing his telephone in the ancient Palace, and she had not yet made the few preparations necessary for his call to the Cabinet Room. Hastily she searched her desktop for the list of those who would be present for the conference call, found no such list, and then guessed that Wayne Talley would, from long habit, have left it on the President's own desk.
Hurrying now, Edna opened the nearest door on her left, and crossed the rug to the sturdy brown Buchanan desk at the far end of the President's corner office. The green blotter held nothing, and neither did the empty card stand, so much like a menu holder, into which T. C.'s daily engagement schedule was slipped. Concerned, she looked about, and then she saw it, the single sheet of paper that Talley had left for her, a corner of it pinned under the weight of the black telephone, the deceptively ordinary telephone that was the much-publicized hot line.
Taking the sheet, she scanned the list typed upon it: Talley himself, of course; Secretary of State Arthur Eaton, of course; Senator Selander, Majority Leader in the Senate; Representative Wickland, Majority Leader in the House; Senator Dilman, President pro tempore of the Senate; General Fortney, Chairman of the Joint Chiefs of Staff; Mr. Stover, Assistant Secretary for African Affairs in the State Department; Mr. Leach, the stenotypist. Eight in all. That was it for this morning.
Studying the personnel on the list as she slowly left the President's desk, Edna played her deduction game. One did not have to be Scott of the CIA or Lombardi of the FBI to make an accurate prediction, once one was given a set of clues. Edna made her prediction to herself, enjoying the sport almost as much as she enjoyed the diversion of the crossword puzzles and Double-Crostic games that she hoarded for weekends. The emergency conference call from the President, she told herself, would be devoted almost entirely to Africa and the trouble over the new Republic of Baraza. The presence of the Assistant Secretary for African Affairs indicated this. Then there would be talk about pushing something through a balky Congress, probably the unpopular ratification of the renewal of the United States' membership in the African Unity Pact, as well as further economic aid to newly independent African nations. The presence of two senators and one representative and one general indicated this. The attendance of Talley and Secretary of State Eaton furnished no added clues. They were always present when T. C. spoke, always there, his confidants and alter egos.
Yes, Edna decided unhappily, Africa would be the subject, and that promised a dull and wearisome morning. African talk meant almost nothing to her. What was it, really? A black jumble of crazy names like Basutoland, Nyasaland, Malagasy, Gambia, Dahomey, Chad, Rwanda, and lately, Baraza. Even if you were intelligent, you could not tell one country from another, or one primitive face from another (despite those wild robes they wore, despite those odd Oxford or Harvard accents they assumed when they called upon the President). It was all impossible and, for Edna, Africa remained the Dark Continent, affecting her day-to-day existence in no way whatsoever. And—repressed heresy—she suspected that those comic-opera countries meant little more to T. C. or Talley or Eaton, either. Soviet Russia, now, that was another matter. Russia could blow us up, and ruin everything, everyone, before some of us had a chance to get married and live and have children.
She had paused before the French doors leading out to the cement walk with its overhang and colonnades. Outside—T. C. called it his "backyard"—the darkness had gone, and the gray dawn was brightening. Even in late August, the Rose Garden was still in full bloom, the roses and Shasta daisies and geraniums dominated by early chrysanthemums. At the far end of the garden Andrew Jackson's hoary magnolia tree, partially obscuring the White House rotunda and Truman's Balcony, was thick with green foliage. For a moment Edna was tempted to step outside, join the White House policeman who had appeared on the walk, deeply inhale the cool fresh air, and fully revive herself for the Frankfurt call. But the platinum watch on her left wrist bound her to duty. Swiftly she left the President's office and returned to her own desk.
Yanking open drawers, digging supplies out of them, she was at last occupied with routine and too busy for daydreaming. In a few minutes, her thin arms heavily weighted under a pyramid of memorandum pads, boxes of pencils, shorthand notebook, and spare ashtrays, she went carefully to the door of the Cabinet Room. Balancing her load against the frame of the door, she grasped the knob, turned it, and pushed the door open with her knee.
She had somehow expected to find Arthur Eaton inside. He was usually first, seated and hunched over the long eight-sided, coffin-like mahogany table, his chalky, finely chiseled, aristocratic profile bent over sheaves of briefing notes. But he was not there. Instead, across the Cabinet Room, two khaki-clad enlisted men, plainly Signal Corps, were finishing the wiring of two gray metal boxes that rested on the dark table. Edna recognized the larger box, with its perforated side, as the receiver that would unscramble and the loudspeaker that would amplify the President's confidential conversation from Frankfurt, while the sensitive smaller audio box was the microphone which would pick up any voice in the room, scramble it in a special transmitter, and send it off to the Gothic study in the Alte Mainzer Palace, where it would be unscrambled and made comprehensible through a similar portable system set up for the listening President.
Apparently the two Signal Corps men were too occupied to be aware of Edna's arrival. She coughed, and called out, "Good morning, gentlemen."
The younger, a technician third class, glanced over his shoulder. "Oh, good morning, ma'm. We'll be outa here in a jiffy."
"Go right ahead. We still have fifteen minutes."
Edna lowered her precarious load to the table, then went to the three pairs of green drapes concealing the French doors and opened them, so that once more Jackson's magnolia tree was in her view and the room behind her filled with the filtered early morning light. After shaking loose the Presidential flag, which now hung well, and taking note of the American flag, which was fine, Edna resumed her familiar routine. She distributed memorandum pads, pencils, ashtrays. She filled the water carafes. She was hardly aware that the Signal Corps men were making tests, and then saying good-bye.
She was not yet through when the corridor door opened. Startled, Edna wheeled, expecting Eaton, but instead saw two of the Secret Service agents of the White House Detail, one the red-faced, beefy Beggs, the other the wiry, blond Sperry.
"Got you busy early this morning, hey?" Beggs called out.
"They sure have," said Edna.
"Just want to thank you for Ogden and Otis, Miss Foster," said Beggs. She knew that her face must have reflected blankness, for he quickly added, "They're my boys." Then he said, "First ones in their school with the new Baraza stamps. We're all grateful."
"I haven't had any more from Africa this week," said Edna. "Most of the mail is from Frankfurt—from Germany—by diplomatic pouch, so no stamps. Of course, some other things drift in."
"Anything'll do, Miss Foster. Boys can use those for trading. Sure appreciate your thinking of us." Beggs's colleague, Sperry, had touched his arm, and he looked off, then turned back. "Here they come, Miss Foster. Be seeing you."
The moment that the Secret Service agents were gone, Leach came through the open door, nodding his skeletal head, carrying his perpetual harassment and his portable stenotype to the table, two chairs from the center where Eaton would sit.
Edna heard more footsteps on the tile corridor floor and waited. The three of them appeared in the doorway at the same time, and then Talley and Stover hung back, deferring to Eaton. The Secretary of State, tall, slender, magnificent in his pin-striped gray Saville Row suit, fedora in his hand, entered briskly.
"Hello, Miss Foster," he said in his deep, well-modulated voice. "Sorry about the hour, but T. C. appears to need our help."
Eaton's appearance, his evident good breeding, always struck Edna dumb, and as ever, she could do no more than duck her head and murmur her welcome. She watched Eaton as he deposited his hat on a bench and walked to the chair where Stover had already placed his alligator briefcase. She could see Eaton with the same eyes that the President, an old friend, saw him, and what she saw was an Easterner of excellent antecedents, schooled in the Ivy League traditions, a careful, moderate, thoughtful man, mellowed by the best of taste, and still youthful in late middle age. Where Eaton differed from T. C. was in the matter of human relationship. The President was gayer, warmer, more flamboyant, the politician's brass section accompanying the subtle chamber-music strings. The President would always be elected; Arthur Eaton would always be appointed.
She continued to observe Eaton as he removed clipped papers from his briefcase and sat down with them. He was the most attractive man currently in public office, she was positive. The press liked to say that he resembled Warren Harding, but Edna resented this, for Harding was not patrician and his historical image was weak. Edna had once seen a portrait of James K. Polk, and although she had heard that Polk had been slight and inconspicuous, she knew that this was the man in American history that Eaton most resembled. Like Polk, the Secretary of State possessed a smooth, sleek pompadour, graying above the forehead and at the temples. His eyes were full and deep, his nose slightly Grecian in its line, his jaw (like his entire face) bony and long. He was Virginia, Andover, Princeton, and perfect.
And now, Edna could see, he had lifted his head from his papers to listen to an exchange between T. C.'s right-hand adviser, Wayne Talley, and Eaton's own Assistant Secretary for African Affairs, Jed Stover.
The short, heavyset, electric Talley was poking a finger into Stover's shoulder for emphasis. "I don't care about your damn facts and figures, Jed. We've done enough for Baraza, more than enough, and you know that. Do you want us to go to war with those Communist apes over some little jungle country not much bigger than a football field? Do you want to fight over 30,000 square miles in West Africa?"
The taller Jed Stover, squirming at Talley's poking finger, patted his bristly eyebrows and scrub of mustache, and said calmly, "It is 33,000 square miles, and has a population of 2,437,000, Wayne. It has gold, a good deal of gold, and diamonds and iron ore. Besides—"
"There's not enough gold in the entire place to pay for what it might cost us in trouble."
Doggedly Stover continued. "Besides, it is our model, in a sense, our creation, our showcase, Wayne. You cannot give an emerging black nation democracy, and then turn your back on it."
"We have enough showcases over there. We have Liberia and Ghana and a half-dozen more. That African Unity Pact was fine when it was first set up. Paperwork, good propaganda. We never intended to renew. Now, just because Baraza is in it, I see no reason to change our minds. You people in African Affairs get too involved in your own little world, and you can't see it as a small part of a bigger world with bigger problems. You're like so many whisker-combing scholars, each with one lifetime specialty, and you get to thinking that the truth about Nancy Hanks is more important than the Presidency, or that the significance of democracy in San Marino is more important than Italy. Don't look so damn hurt, Jed. I'm not disparaging all the spadework you fellows do, and how well you serve, but you're all inclined to suffer from funnel vision. I mean it. The President and I have discussed this many times. And I'm sure Arthur understands this even better than the two of us."
Talley had turned to seek Arthur Eaton's collaboration. Jed Stover, who had been about to reply, was immediately subdued by the reference to his superior. He seemed to bite his tongue and make an effort to hold silent.
Eaton, who had been listening, pursed his lips. He considered the President's aide. At last he spoke. "Jed and his department are doing an excellent job, Wayne."
"I admitted that," interrupted Talley. "I was only saying—"
"I heard what you were saying, Wayne," Eaton went on. "There is much to what you have been saying. You can be sure that T. C. and I are perfectly aware of what is going on and what must be done."
Witnessing the verbal scuffle, Edna Foster saw that this time it was Wayne Talley's turn to be cowed. Eaton had made it clear that he and T. C. would makethe final decisions on African intervention. He had, in a refined way, reminded Talley that although he was the President's aide, he was not his first adviser, in no way his Gray Eminence, but only his sounding board and runner. He had put Talley in his place, which was not between the President and the Secretary of State, but somewhere behind them, outside them. But it had been carefully done, so that Talley would not lose face before a lesser State Department appointee.
Edna noted that Governor Talley reacted to the encounter, and subtle rebuff, as he always had in the past. His right eye, the one that was slightly crossed, involuntarily began to twitch. His bulbous nose reddened. He seemed less sure of the checkered suit and blue shirt and gaudy gold-coin tie clasp he was given to wearing. He appeared, Edna thought, like the officious manager of a Midwest haberdashery, who had just been reminded by the wealthy absentee owner that he had once been a humble clerk.
"Of course," Eaton was saying now, with a serious smile, "we are dealing with yesterday's facts, are we not? What I know, what you know, Wayne, and what you know, Jed, is useful, as of this minute, but in five minutes the President will be speaking to us from Frankfurt. After another morning with the Russians, he may have new facts, new ideas, and our recipe for a decision on Africa may be considerably changed. Don't you both agree?"
Edna found that she had to keep herself from smiling at the Secretary of State's adroitness. He had taken Talley and Stover in as his equals at last, and they were mollified. Talley, grunting and bobbing his head, circled the table to sit beside T. C. 's favorite. Stover, exhaling satisfaction, found a place opposite his superior.
Edna, realizing that Arthur Eaton was waving to someone behind her, turned, and to her surprise all the others were already in the Cabinet Room. Quickly she stepped forward to show Senator Selander and Representative Wickland to their chairs. Senator Dilman had not waited for her, but had gone off to take the place farthest from the Secretary of State and the President's aide. It was understood by all, Edna knew, just as she herself understood it, that Dilman did not rank with the others, not even with Selander and Wickland. Although Dilman, as President pro tempore of the Senate, had been wielding the gavel since the Vice-President's death, it was known that he held the position as a political gesture.
"Sorry to be the last!" Edna heard a voice boom out from the door.
It was four-star General Pitt Fortney, the rigid, scarred Texan, pulling off his leather gloves. "SAC has been bending my ear from Omaha. It wasn't easy to get away." He handed his trench coat to Edna and strode to the table, pulling out a chair and sitting stiffly in it. He addressed Eaton. "Steiny had me on the phone last night. He thinks Premier Kasatkin means business. Even flew Marshal Borov in from Leningrad. Maybe the President ought to have me over there."
Eaton appeared to look down his nose at Fortney. "I think Secretary of Defense Steinbrenner can represent the Pentagon very well, General. I am sure T. C. feels you are needed here."
Noticing that her platinum wristwatch gave them two minutes to conference time, Edna Foster started around the Cabinet table toward Eaton and the portable loudspeaker.
Passing Representative Wickland, she saw him lean across the table and ask Talley, "What's this about Earl MacPherson flying to Frankfurt from Buenos Aires? He was supposed to be here in Washington today."
"Just a one-day detour," said Talley. "The President felt you boys in the House could spare your Speaker for one more day. T. C. wanted him on hand."
"On African economic aid legislation?"
"Probably. If T. C. tells you what's going on, you boys in the House might not listen. If your own Speaker tells you, then you might listen. MacPherson'll be back on the Hill tomorrow."
Edna had taken a position behind Eaton, and was about to inform him that it was precisely seven o'clock, when the telephone rang out shrilly. Instantly the room was hushed.
Edna bent between Eaton and Talley, punched down the "On" button atop the beige loudspeaker, then she hit the "On" button above the microphone box, turned the volume to "Medium High," and stepped away.
She reached her waiting chair and shorthand pad, beside Leach, as a far-off erratic voice came indistinctly over the loudspeaker, and then suddenly broke out loudly and clearly.
"—calling from Frankfurt am Main, this is Signal Corps Captain Foss calling from Frankfurt am Main. Do we have the White House in Washington?"
Calmly Secretary of State Eaton addressed the microphone box. "This is the White House, Captain. This is the Secretary of State. We are assembled and ready for the conference call."
"All right, sir. The President is waiting to speak to you." A muffled crossing of voices slapped against the loudspeaker, and then a jagged arrow of static, and at once T. C.'s hurried, bouncy, unceremonious voice was upon them in the Cabinet Room.
"Arthur, are you there?"
"Everyone is here, Mr. President. How are you? Is everything going well?"
"Never better, never better. In fact, I just this moment talked MacPherson into betting all even on Dartmouth against Princeton next month. I want you to ask Internal Revenue if my winnings are tax-free, since we made the wager in Germany. Remember to do that, Arthur."
Everyone in the Cabinet Room laughed, hoping the laugh would be unscrambled in Frankfurt, and then settled into silence.
T. C. was coming through the loudspeaker again. "We broke up at the Roemer before noon. We're reconvening at two. Our gang stayed over there to eat, but a few of us slipped out on the press and the rest of them, and came over here to talk it out in privacy. I've been sitting in this beat-up old Palace study—it's cold as hell, Arthur—tell Edna she was smart not to come along—and I've been conferring with Ambassador Zwinn, and Secretary Steinbrenner, and our obliging Speaker of the House. One second, Arthur—" There was a long pause, and then T. C. was on once more. "Just said good-bye to the Ambassador—he's heading back to Bonn—and to Steiny—he's needed over at the Consulate. Okay, we can settle down now. There are a few problems to contend with, at once. I want to talk this over with you, and then I'll put MacPherson on, and he can concentrate on Harvey Wickland. Incidentally, Harv, I want to let MacPherson rest here tonight, and you'll have him back in the Speaker's chair tomorrow."
There was a pause, and then T. C. resumed through the loudspeaker. "Arthur—Wayne—all of you there, the problem is Premier Kasatkin. I'd forgotten what a tough bastard he can be. He seems determined to be difficult in four-letter words, except in Russian they're forty-letter words, and my backside is aching after these last hours. I'm determined to get out of here in a few days, but I want to get out with the knowledge that I haven't given up New York, Detroit, Los Angeles, Bombay, and Baraza City to the Muscovites for the right to stay in Berlin."
Wayne Talley had leaned across Eaton. "T. C.," he said into the microphone, "this is Wayne here. Is it that bad? Does Kasatkin mean it?"
Over the loudspeaker T. C.'s retort was urgent. "Does he mean it? I'm not sure. That is what we have to judge. We have to decide how far we can go with blank cartridges. That is why I wanted to consult you before trying to digest my lunch. When I go back in there this afternoon, and sit down across from our Soviet friends, I want to know what ammunition I have or should have. In other words, I've got to decide how far I can go in showing Kasatkin and Marshal Borov that we intend to stand firm on Baraza, support its independence, even fight for it, at the same time making it clear that we want to be reasonable and are concerned with more dangerous trouble spots and greater issues abroad. You understand?"
Listening, Presidential aide Wayne Talley displayed his pleasure, and shot a triumphant grin at Assistant Secretary Jed Stover.
Arthur Eaton was speaking in the direction of the microphone box. "What are the latest Soviet charges against us, Mr. President?"
"On Baraza?" said T. C. "A whole bill of particulars to prove the United States is becoming an aggressor in Africa, using Baraza merely as a beachhead for our eventual domination of all Africa. They argued that we manipulated Baraza's independence in return for the promise that they would be pro-democracy and anti-Communist. Premier Kasatkin carried the ball the whole morning. He tried to prove that we did not allow Baraza to hold a fair and open election three months ago. He accused us of rigging it, and said we got our puppet, Kwame Amboko, in as President. You know what the Premier's evidence was? That one of our old exchange programs financed Amboko's coming to the United States fifteen years back, and this program financed his brainwashing at Harvard. Hear that, Arthur? Harvard is still giving us Princeton men trouble." He laughed through a rising wave of static, but it was not a mirthful laugh. He went on quickly. "Premier Kasatkin pointed to Baraza's new anti-Communist legislation, which is being debated in their Parliament. The Premier accused us of being behind it. He raved and ranted that we were bending Amboko's arm to get the Communist Party outlawed and the cultural exchange program with Moscow stopped."
"What evidence did the Premier present to support that charge?" Eaton asked.
"He had no concrete evidence," replied T. C. "I could have stayed home and reread your Embassy reports, or the translations from Pravda, and known just as much. Kasatkin argued that the economic aid we were giving Baraza came from our government funds, and not from private enterprise, and that we had threatened to cut it off unless Amboko banned the Communist Party and the cultural exchange with Moscow. He said we were afraid of Communism in Africa, because we knew that was what the blacks wanted and needed. He said, 'Those poor people know Communism gives them bread, while democracy gives them a vote and a Letter to the Editor.' He's a real smart aleck, in a sort of kulak way, and absolutely distrustful of everyone. He said not only was our money leading Amboko by the nose, but that we were also using our renewal of the African Unity Pact as a bribe. It all comes down to this—the Soviets are charging us with using Baraza as a launching pad to wipe native Communism out of Africa, so we can exploit the black population, control Baraza's gold and iron ore. That's the picture, my friends. It may look abstract, but it is realism, and we have to cope with it."
"You are perfectly right, Mr. President," Eaton was saying, "we have heard most of that before. The question is—what do the Russians specifically want of us? After all, they instigated this Frankfurt conference to iron out differences. What are they suggesting?"
T. C. snorted, and the loudspeaker sent the sound splitting across the Cabinet Room like a handclap. "What are they suggesting? Good God, Arthur, they are demanding. Yes, they are demanding that we do one of two things—you see, they say they are being reasonable, ready for compromise—that we do one of two things, either kill the African Unity Pact—the AUP —kill it in the Senate, withdraw from it—or that we use our influence, show our good intentions in Africa, by getting Baraza to drop legislation against the native Communist Party and the cultural exchange program with Moscow. There it is."
"Why this sudden strenuous objection to AUP?" Eaton asked. "They showed only token disapproval when we first went into it."
"Because, according to Kasatkin, when we first went into it, the Soviets regarded it as a weak paper pact, limited to three countries and promising only small economic assistance. But they consider the new AUP as a threat. They point out it involves five African nations, and guarantees our military intervention to protect those countries from aggression. The Soviets argue we're setting up a Monroe Doctrine in Africa. They won't sit still for another NATO—a fledgling NATO they're labeling AUP—unless we allow their own ideology perfect freedom in Baraza. It must be one or the other, but not both."
Representative Wickland called out toward the microphone box, "Mr. President, what if we support both measures—banning of Communism in Baraza as well as membership in the new AUP? What do you think Kasatkin would do?"
"The works, Harv, the works," said the President. "Premier Kasatkin warned me Soviet troops would occupy West Berlin, and redouble support of their adherents in and around India and Brazil. I think he means it this time. And if he does, we're in for a shooting war, and we'd have to fire the first shot."
"But, Mr. President—" It was Assistant Secretary Jed Stover's pained and trembling voice. "That's absolute blackmail. We're committed to AUP as well as giving Baraza the absolute right to do as it pleases, and apparently Baraza wants to curb Communism. I don't blame Amboko. He has a new and uncertain democratic coalition. His minority of Communists are militant and dangerous. If we give in on either point, drop out of AUP or force Amboko to leave the Communists alone, the Reds might infiltrate every free nation of Africa, and control the continent in a year."
The loudspeaker was quiet, and those waiting in the Cabinet Room were quiet, too, and at last T. C.'s reply came through the loudspeaker from distant Frankfurt. "Jed—all of you—I'm sure we understand our Soviet friends very well. We know what they want. We have to prevent them from getting it. The question is where do we stop them, and when do we see the whites of their eyes? In Baraza? I don't think so. I'd hate to risk American lives over some godforsaken little tract of land in West Africa. I don't want to have the distinction of having been the last President of the United States, the one who encouraged nuclear annihilation. I'm more worried about Germany, India, Brazil than I am about Africa."